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DS/ISO/IEC 14496-3 CD-ROM - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO Organization: DS
Date: 2007-10-05
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
DS/ISO/IEC 14496-3/AMD. 1 - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO Organization: DS
Date: 2007-11-13
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
DS/ISO/IEC 14496-3/AMD. 2 - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO Organization: DS
Date: 2007-11-13
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
DS/ISO/IEC 14496-3/AMD. 3 - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO Organization: DS
Date: 2007-11-13
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
DS/ISO/IEC 14496-3/AMD. 2/CORR. 1 - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO Organization: DS
Date: 2007-11-13
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
WILEY - AUDIO SIGNAL PROCESSING A - AUDIO SIGNAL PROCESSING AND CODING Organization: WILEY
Date: 2007-01-01
Description: Next are thorough treatments of the following topics: Linear prediction, ADPCM, and CELP algorithms for narrowband and wideband coding Cellular telephony vocoders versus CD-quality audio coders Perceptual modules including the ISO/IEC 11172-3 (MPEG-1) psychoacoustic analysis model Detailed descriptions of the MPEG-1 Layer III (MP3) and the AAC (MP4) algorithms Descriptions of the algorithms behind successful products such as the Apple iPod Filter bank design and algorithms and the Modified Discrete Cosine Transform (MDCT) Established and emerging standards for transparent coding of CD-quality stereo audio signals Standardization activities in high-fidelity audio coding, including DVD-Audio, Super Audio CD (SACD), Dolby AC3, Digital, Digital Theater Systems (DTS), and Sony SDDS surround sound Lossless audio coding and digital audio watermarking techniques, including SHORTEN, DVD-algorithm, MUSICompress, AudioPaK, C-LPAC, LTAC, and IntMDCT lossless coding schemes Surround sound compression algorithms for cinema and super audio CD applications Digital audio watermarking, content protection, and copyright issues Complexity, delay, error control, and subjective quality in perceptual audio coding Computer exercises and MATLAB hands-on projects complement the algorithm theory and reinforce concept learning.
DS/ISO/IEC 14496-3/AMD.1 - INFORMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO - AMENDMENT 1: AUDIO EXTENSIONS Organization: DS
Date: 2000-12-07
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony og high-quality audio compression.
DS/ISO/IEC 14496-3/AMD. 5 - INFROMATION TECHNOLOGY - CODING OF AUDIO-VISUAL OBJECTS - PART 3: AUDIO - AMENDMENT 5: BSAC EXTENSIONS AND TRANSPORT OF MPEG SURROUND Organization: DS
Date: 2007-11-13
Description: By standardizing individually sophisticated coding tools as well as a novel, flexible framework for audio synchronization, mixing, and downloaded post-production, the developers of the MPEG-4 Audio standard have created new technology for a new, interactive world of digital audio. MPEG-4, unlike previous audio standards created by ISO/IEC and other groups, does not target a single application such as real-time telephony or high-quality audio compression.
ETSI - EN 302 307 - DIGITAL VIDEO BROADCASTING (DVB); SECOND GENERATION FRAMING STRUCTURE, CHANNEL CODING AND MODULATION SYSTEMS FOR BROADCASTING, INTERACTIVE SERVICES, NEWS GATHERING AND OTHER BROADBAND SATELLITE APPLICATIONS (DVB-S2) - V1.3.1 Organization: ETSI
Date: 2013-03-01
Description: The present document: • gives a general description of the DVB-S2 system; • specifies the digitally modulated signal in order to allow compatibility between pieces of equipment developed by different manufacturers.
ATIS T1.TR.16 - DS-3 TRANSPORT FOR CONTRIBUTION APPLICATION OF SYSTEM M-NTSC TELEVISION SIGNALS ANALOG INTERFACE AND PERFORMANCE OBJECTIVES Organization: ATIS
Date: 1992-11-01
Description: This report does not apply to services intended for videotelephony, video teleconferencing, and video information distribution, which may use motion-compensated differential-transform digital video coding according to such standards as CCITT Recommendation H.261 "Video Codec for Audiovisual Services at p X 64 kbit/s", ANSI T1.314-1991 "Digital Processing of Digital Signals – Video Coder/Decoder for Audiovisual Services at 56 to 1,536 kbit/s", or ISO 11172 "Coding of Moving Pictures and Associated Audio".

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