UNLIMITED FREE
ACCESS TO THE WORLD'S BEST IDEAS

SUBMIT
Already a GlobalSpec user? Log in.

This is embarrasing...

An error occurred while processing the form. Please try again in a few minutes.

Customize Your GlobalSpec Experience

Select Your Free Newsletters

Industry Newsletters

Select Your Free Product Alerts

Finish!
Privacy Policy

This is embarrasing...

An error occurred while processing the form. Please try again in a few minutes.

SMPTE RP 200

Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema

active, Most Current
Buy Now
Organization: SMPTE
Publication Date: 18 April 2012
Status: active
Page Count: 11
scope:

This practice specifies a measurement method and wideband sound pressure levels for motion-picture dubbing theatres, review rooms, and indoor theatres using steady state wideband pink noise methodology. Together with SMPTE ST 202, it is intended to assist in standardization of reproduction of motion-picture sound in such rooms.

Document History

SMPTE RP 200
April 18, 2012
Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
This practice specifies a measurement method and wideband sound pressure levels for motion-picture dubbing theatres, review rooms, and indoor theatres using steady state wideband pink noise...
RP 200
January 1, 2002
Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems - Applicable for Analog Photographic Film Audio, Digital Photographic Film Audio and D-Cinema
A description is not available for this item.
RP 200
July 1, 1999
Relative and Absolute Sound Pressure Levels for Motion-Picture Multichannel Sound Systems
A description is not available for this item.

References

This document references:
IEC 60268-17 - Sound System Equipment Part 17: Standard Volume Indicators
Published by IEC on September 1, 1990
This standard gives the characteristics to be specified, performance requirements and the relevant methods of measurement for electromechanical volume indicators. The concept of "volume" is a...
This document references:
SMPTE ST 202 - Motion-Pictures — Dubbing Stages (Mixing Rooms), Screening Rooms and Indoor Theaters — B-Chain Electroacoustic Response
Published by SMPTE on October 20, 2010
This standard specifies the measurement methods and characteristic electroacoustic frequency response of the B-chain of motion-picture dubbing theaters (mixing rooms), screening rooms, and indoor...
This document is referenced by:
BS ISO 26432-2 - Digital source processing Part 2: Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics
Published by BSI on April 30, 2009
A description is not available for this item.
This document is referenced by:
ISO 26432-2 - Digital source processing — Part 2: Digital cinema (D-cinema) low frequency effects (LFE) channel audio characteristics
Published by ISO on July 15, 2008
This guideline addresses interoperability of equipment from the standpoint of the frequency response of filters used in the playback or monitor path in the theater LFE channel for digital cinema....
This document is referenced by:
SMPTE ST 2095-1 - Calibration Reference Wideband Digital Pink Noise Signal
Published by SMPTE on September 1, 2015
This standard defines a digital pink noise signal to be used in calibrating the sound pressure level and electroacoustic response of a cinema B-chain system. It also defines an example algorithm to...
This document is referenced by:
BS ISO 22234 - Cinematography - Relative and absolute sound pressure levels for motion-picture multi-channel sound systems - Measurement methods and levels applicable to analog photographic film audio, digital photographic film audio and D-cinema audio
Published by BSI on June 30, 2006
A description is not available for this item.
This document is referenced by:
SMPTE RP 2096-1 - Cinema Sound System Baseline Setup and Calibration
Published by SMPTE on July 15, 2017
This document provides a single set of processes to complete baseline calibration and documentation of sound systems in dubbing stages (mixing rooms), screening rooms, and commercial cinemas to...
View Less
View All
Advertisement